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URL:https://lectures.london/cambridge-university/directing-disturbance-thr
 ee-theatremakers-in-discussion/calender.ics
NAME:Lectures London
X-WR-CALNAME:Lectures London
TIMEZONE-ID:Europe/London
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UID:73d7beef-7f68-4999-88e6-55e108378c9c
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DTSTAMP:20260429T064653
DTSTART:20260504T173000
DTEND:20260504T190000
SUMMARY:Directing Disturbance: Three Theatremakers in Discussion
LOCATION:Cambridge University: Judith E. Wilson Drama Studio
DESCRIPTION:Talking first about their experiences directing the unsettling
  and confrontational aspects of Shakespeare’s works\, these three direct
 ors will turn to several of their other productions and then to a more gen
 eral discussion of the properties of dramatic form which most engage\, exc
 ite\, upset\, and disconcert us all. CORINNE JABER is an internationally a
 ctive director who trained under Monika Pagneux and Philip Gaulier in Pari
 s. She performed in Peter Brook’s Mahabharata and in Irina Brook’s Bea
 st on the Moon\, and has recently returned to the Mahabharata via Karhtika
  Nair’s Until the Lions: Corinne’s theatrical adaptation of this piece
  is currently in development. ATRI BANERJEE is the Artistic Lead at the Ga
 te Theatre\, where he has directed Scenes for the Climate Era and This Roo
 m\, Now. In 2023 he directed a touring production of Julius Caesar for the
  RSC which utilised\, in each venue\, a different chorus drawn from the lo
 cal community. Atri has also directed at the Almeida (Look Back in Anger) 
 and at the Royal Exchange (productions included Hobson’s Choice\, The Gl
 ass Menagerie and Phoebe Eclair-Powell’s SHED: Exploded View.) His Bush 
 Theatre production of HARM was adapted for film and screened by BBC 4 in 2
 021. Atri won Best Director at The Stage Debut Awards in 2019\, and in 202
 2 was listed in The Stage 25 as ‘one to watch’. He studied English at 
 Cambridge and on the MFA Theatre Directing course at Birkbeck. ANDREW QUIC
 K is the co-founder and co-artistic director for imitating the dog\, a com
 pany which fuses live performance with digital technology\, creating ‘sp
 ectacular\, innovative theatre\, as dramatically forceful and thought-prov
 oking as it is entertaining’ (Guardian). Their current project\, an adap
 tation of War of the Worlds\, appears at the Cambridge Arts Theatre betwee
 n 29th April and 2nd May. Previous productions include a Macbeth named by 
 The Times and The Guardian as one of the best live events to attend in 202
 3\, and a production of Lear set in a psychiatric hospital and mounted at 
 the Teatro de la Universidad Catolica in Chile\, starring Hugo Medina.
URL;VALUE=URI:http://www.admin.cam.ac.uk/whatson/detail.shtml?uid=241cd1cb
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