18:30
Wednesday
Apr 23
18:30
Thursday
Apr 24
13:00
15:00
16:00
17:00
19:30
Friday
Apr 25
17:30
Monday
Apr 28
13:00
16:00
Tuesday
Apr 29
14:00
16:00
16:15
16:30
17:30
Wednesday
Apr 30
14:30
15:00
16:00
17:00
18:15
18:30
Thursday
May 1
10:00
14:00
14:45
15:00
16:00
18:00
17:30
Friday
May 2
14:30
16:00
16:30
18:00
Saturday
May 3
14:00
Tuesday
May 6
10:00
13:00
13:30
15:00
16:00
17:30
18:00
17:00
18:30
Wednesday
May 7
12:00
13:00
13:30
16:00
16:30
16:45
18:00
17:30
Thursday
May 8
13:00
15:30
14:45
16:00
16:15
16:30
17:30
19:00
Friday
May 9
15:00
16:30
18:00
18:30
19:00
Saturday
May 10
09:30
Monday
May 12
13:00
16:00
18:00
17:30
Tuesday
May 13
09:00
11:00
13:00
14:00
17:00
16:30
18:00
17:00
17:30
19:30
Wednesday
May 14
11:00
13:00
12:00
13:30
16:30
18:00
17:00
18:30
17:30
Thursday
May 15
08:30
09:00
14:45
15:00
16:00
19:30
Friday
May 16
16:30
18:00
Monday
May 19
17:30
Tuesday
May 20
14:45
18:00
17:00
17:30
19:30
Wednesday
May 21
09:00
13:30
16:30
18:00
17:30
Thursday
May 22
15:00
16:30
18:00
Friday
May 23
16:30
Tuesday
May 27
16:00
16:15
Wednesday
May 28
16:30
18:30
Thursday
May 29
12:00
15:00
17:30
18:00
17:30
Friday
May 30
09:00
17:00
16:30
Monday
Jun 2
17:30
Tuesday
Jun 3
18:00
Wednesday
Jun 4
13:30
18:00
Thursday
Jun 5
09:00
15:15
15:30
18:00
Friday
Jun 6
16:30
Monday
Jun 9
16:30
18:00
Tuesday
Jun 10
14:00
16:00
15:30
18:00
Wednesday
Jun 11
16:00
16:30
18:00
17:00
Thursday
Jun 12
18:00
Friday
Jun 13
16:30
Monday
Jun 16
17:15
Tuesday
Jun 17
10:30
14:00
Thursday
Jun 19
08:30
15:00
19:30
20:00
Friday
Jun 20
09:00
Saturday
Jun 21
10:00
14:00
Wednesday
Jun 25
13:00
Thursday
Jun 26
09:00
19:00
Wednesday
Jul 2
16:30
Friday
Jul 4
17:00
Tuesday
Jul 8
19:30
Wednesday
Jul 9
08:30
Thursday
Aug 14
09:00
Friday
Oct 17
16:00
Birkbeck
May 9
Birkbeck 43 Gordon Square
Queer performance is expected to live a brief, bright life and not circulate as text for reading, record or reproduction. Indeed, it rarely begins with a coherent script at all, often being developed instead via devising, co-creation and ad hoc practices, taking the form of outlines, notes and diagrams, with a script sometimes only emerging during rehearsals or following the creation of a performance. This event features a panel of performers and writers to explore the various ways contemporary queer performance is written and documented, and what is at stake in writing anything down at all. Contributors will also present excerpts of each other's newly published texts, to test the possibility of performing another artist's often deeply personal work. The event coincides with the launch of Writing Queer Performance: Contemporary Texts and Documents (Methuen Drama, 2025), ed. Fintan Walsh.